One of the first attacks on Dryden's reputation was by Wordsworth, who complained that Dryden's descriptions of natural objects in his translations from Virgil were much inferior to the originals. However, several of Wordsworth's contemporaries, such as George Crabbe, Lord Byron, and Walter Scott (who edited Dryden's works), were still keen admirers of Dryden. Besides, Wordsworth did admire many of Dryden's poems, and his famous "Intimations of Immortality" ode owes something stylistically to Dryden's "Alexander's Feast". John Keats admired the "Fables", and imitated them in his poem Lamia. Later 19th century Writers had little use for verse satire, Pope, or Dryden; Matthew Arnold famously dismissed them as "classics of our prose." He did have a committed admirer in George Saintsbury, and was a prominent figure in quotation books such as Bartlett's, but the next major poet to take an interest in Dryden was T. S. Eliot, who wrote that he was "the ancestor of nearly all that is best in the poetry of the eighteenth century", and that "we cannot fully enjoy or rightly estimate a hundred years of English poetry unless we fully enjoy Dryden." However, in the same essay, Eliot accused Dryden of having a "commonplace mind". Critical interest in Dryden has increased recently, but, as a relatively straightforward Writer (William Empson, another modern admirer of Dryden, compared his "flat" use of language with Donne's interest in the "echoes and recesses of words"), his work has not occasioned as much interest as Andrew Marvell's, John Donne's or Pope's.