Its greatness is blunted by its length and one-sided point of view, but the film's weaknesses are overpowered by Michael Cimino's sympathetic direction and a series of heartbreaking performances from Robert De Niro, Meryl Streep, and Christopher Walken.
Film producer and "old-fashioned mogul" Allan Carr used his networking abilities to promote The Deer Hunter. "Exactly how Allan Carr came into The Deer Hunter's orbit I can no longer remember," recalled producer Deeley, "but the picture became a crusade to him. He nagged, charmed, threw parties, he created word-of-mouth – everything that could be done in Hollywood to promote a project. Because he had no apparent motive for this promotion, it had an added power and legitimacy and it finally did start to penetrate the minds of the Universal's sales people that they actually had in their hands something a bit more significant than the usual." Deeley added that Carr's promotion of the film was influential in positioning The Deer Hunter for Oscar nominations.
On the Sneak Previews special "Oscar Preview for 1978", Roger Ebert correctly predicted that The Deer Hunter would win for Best Picture while Gene Siskel predicted that Coming Home would win. However, Ebert incorrectly guessed that Robert De Niro would win for Best Actor for Deer Hunter and Jill Clayburgh would win for Best Actress for An Unmarried Woman while Siskel called the wins for Jon Voight as Best Actor and Jane Fonda as Best Actress, both for Coming Home. Both Ebert and Siskel called the win for Christopher Walken receiving the Oscar for Best Supporting Actor.
According to producer Deeley, orchestrated lobbying against The Deer Hunter was led by Warren Beatty, whose own picture Heaven Can Wait had multiple nominations. Beatty also used ex-girlfriends in his campaign: Julie Christie, serving on the jury at the Berlin Film Festival where Deer Hunter was screened, joined the walkout of the film by the Russian jury members. Jane Fonda also criticized The Deer Hunter in public. Deeley suggested that her criticisms partly stemmed from the competition between her film Coming Home vying with The Deer Hunter for Best Picture. According to Deeley, he planted a friend of his in the Oscar press area behind the stage to ask Fonda if she had seen The Deer Hunter. Fonda replied she had not seen the film, and to this day she still has not.
As the Oscars drew near, the backlash against The Deer Hunter gathered strength. When the limos pulled up to the Dorothy Chandler Pavilion on April 9, 1979, they were met by demonstrators, mostly from the Los Angeles chapter of Vietnam Veterans Against the War. The demonstrators waved placards covered with slogans that read "No Oscars for racism" and "The Deer Hunter a bloody lie" and thrust pamphlets berating Deer Hunter into long lines of limousine windows. Washburn, nominated for Best Original Screenplay, claims his limousine was pelted with stones. According to Variety, "Police and The Deer Hunter protesters clashed in a brief but bloody battle that resulted in 13 arrests."
De Niro was so anxious that he did not attend the Oscars ceremony. He asked the Academy to sit out the show backstage, but when the Academy refused, De Niro stayed home in New York. Producer Deeley made a deal with fellow producer David Puttnam, whose film Midnight Express was nominated, that each would take $500 to the ceremony so if one of them won, the winner would give the loser the $500 to "drown his sorrows in style."
The Deer Hunter won five Oscars at the 51st Academy Awards in 1979:
In addition, the film was nominated in four other categories:
Cimino won the film's only Golden Globe Award for Best Director. Other nominations the film included Best Motion Picture – Drama, De Niro for Best Motion Picture Actor – Drama, Walken for Best Motion Picture Actor in a Supporting Role, Streep for Best Motion Picture Actress in a Supporting Role, and Washburn for Best Screenplay – Motion Picture.
In the small working class town of Clairton, Pennsylvania, in late 1967, steel workers Mike Vronsky, Steven Pushkov, and Nick Chevotarevich, with the support of their friends and co-workers Stan and Peter "Axel" Axelrod and local bar owner and friend John Welsh, prepare for two rites of passage: marriage and military Service. Mike is a serious but unassuming leader; Steven the groom-to-be, pecked-at by his mother; and Nick the introspective man who loves deer hunting.
Meryl Streep accepted the role of the "vague, stock girlfriend", in order to remain for the duration of filming with John Cazale, who had been diagnosed with lung cancer. De Niro had spotted Streep in her stage production of The Cherry Orchard and had suggested that she play his girlfriend Linda. Before the beginning of principal photography, Deeley had a meeting with the film's appointed line Producer Robert Relyea. Deeley hired Relyea after meeting him on the set of Bullitt (1968) and was impressed with his experience. However, Relyea declined the job, refusing to disclose his reason why. Deeley suspected that Relyea sensed in Director Cimino something that would have made production difficult. As a result, Cimino was acting without the day-to-day supervision of a Producer.
David Thomson wrote in an article titled "The Deer Hunter: Story of a scene" that the film changed the way war-time battles were portrayed on film: "The terror and the blast of firepower changed the war film, even if it only used a revolver. More or less before the late 1970s, the movies had lived by a Second World War code in which battle scenes might be fierce but always rigorously controlled. The Deer Hunter unleashed a new, raw dynamic in combat and action, paving the way for Platoon, Saving Private Ryan and Clint Eastwood's Iwo Jima films."
Cimino worked for six weeks with Deric Washburn on the script. Cimino and Washburn had previously collaborated with Stephen Bochco on the screenplay for Silent Running (1972). According to Producer Spikings, Cimino said he wanted to work again with Washburn. According to Producer Deeley, he only heard from office rumor that Washburn was contracted by Cimino to work on the script. "Whether Cimino hired Washburn as his sub-contractor or as a co-writer was constantly being obfuscated," wrote Deeley, "and there were some harsh words between them later on, or so I was told."
While Producer Deeley was pleased with the revised script, he was still concerned about being able to sell the film. "We still had to get millions out of a major studio," wrote Deeley, "as well as convince our markets around the world that they should buy it before it was finished. I needed someone with the caliber of Robert De Niro." De Niro was one of the biggest stars at that time, coming off Mean Streets (1973), The Godfather Part II (1974), and Taxi Driver (1976). In addition to attracting buyers, Deeley felt De Niro was "the right age, apparently tough as hell, and immensely talented."
After consulting various Hollywood agents, Deeley found writer-director Michael Cimino, represented by Stan Kamen at the william Morris Agency. Deeley was impressed by Cimino's TV commercial work and crime film Thunderbolt and Lightfoot (1974). Cimino himself was confident that he could further develop the principal characters of The Man Who Came to Play without losing the essence of the original. After Cimino was hired, he was called into a meeting with Garfinkle and Redeker at the EMI office. According to Deeley, Cimino questioned the need for the Russian roulette element of the script, and Redeker made such a passionate case for it that he ended up literally on his knees. Over the course of further meetings, Cimino and Deeley discussed the work needed at the front of the script, and Cimino believed he could develop the stories of the main characters in the first 20 minutes of film.
The Deer Hunter was one of the first, and most controversial, major theatrical films to be critical of the American involvement in Vietnam following 1975 when the war officially ended. While the film opened the same year as Hal Ashby's Coming Home, Sidney Furie's The Boys in Company C, and Ted Post's Go Tell the Spartans, it was the first film about Vietnam to reach a wide audience and critical acclaim, culminating in the winning of the Oscar for Best Picture. Other films released in the late 1970s and 1980s that illustrated the 'hellish', futile conditions of bloody Vietnam War combat included:
The Deer Hunter began principal photography on June 20, 1977. This was the first feature film depicting the Vietnam War to be filmed on location in Thailand. All scenes were shot on location (no sound stages). "There was discussion about shooting the film on a back lot, but the material demanded more realism," says Spikings. The cast and crew viewed large amounts of news footage from the war to ensure authenticity. The film was shot over a period of six months. The Clairton scenes comprise footage shot in eight different towns in four states: West Virginia, Pennsylvania, Washington, and Ohio. The initial budget of the film was $8.5 million.
On the Sneak Previews special "Oscar Preview for 1978", Roger Ebert correctly predicted that The Deer Hunter would win for Best Picture while Gene Siskel predicted that Coming Home would win. However, Ebert incorrectly guessed that Robert De Niro would win for Best Actor for Deer Hunter and Jill Clayburgh would win for Best Actress for An Unmarried Woman while Siskel called the wins for Jon Voight as Best Actor and Jane Fonda as Best Actress, both for Coming Home. Both Ebert and Siskel called the win for Christopher Walken receiving the Oscar for Best Supporting Actor.
Jan Scruggs, a Vietnam veteran who became a counselor with the U.S. Department of Labor, thought of the idea of building a National Memorial for Vietnam Veterans after seeing a screening of the film in March 1979, and he established and operated the memorial fund which paid for it. Director Cimino was invited to the memorial's opening.
Cimino's next film, Heaven's Gate (1980), debuted to lacerating reviews and took in only $3 million in ticket sales, effectively leaving United Artists bankrupt. The failure of Heaven's Gate led several critics to revise their positions on The Deer Hunter. Canby said in his famous review of Heaven's Gate, "[The film] fails so completely that you might suspect Mr. Cimino sold his soul to the Devil to obtain the success of The Deer Hunter, and the Devil has just come around to collect." Andrew Sarris wrote in his review of Heaven's Gate, "I'm a little surprised that many of the same critics who lionized Cimino for The Deer Hunter have now thrown him to the wolves with equal enthusiasm." Sarris added, "I was never taken in ... Hence, the stupidity and incoherence in Heaven's Gate came as no surprise since very much the same stupidity and incoherence had been amply evident in The Deer Hunter." In his book Final Cut: Dreams and Disaster in the Making of Heaven's Gate, Steven Bach wrote, "critics seemed to feel obliged to go on the record about The Deer Hunter, to demonstrate that their critical credentials were un-besmirched by having been, as Sarris put it, 'taken in.'"
In 1986, critic Robin Wood examined what he viewed as the film's homosexual subtext. In the film's central "male love affair" Mike supposedly represents the powers of control and repression, whereas Nick stands for release and liberation. According to Wood, "Nick both is and knows himself to be in love with Mike and Mike reciprocates that love but can't admit it, even to himself". In the end, Wood argues that Nick shoots himself because "he has recognized that Mike offers nothing but a return to repression".
The Soundtrack to The Deer Hunter was released on audio CD on October 25, 1990.
In 1996, The Deer Hunter was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
The Deer Hunter has twice been released on DVD in America. The first 1998 issue was by Universal, with no extra features and a non-anamorphic transfer, and has since been discontinued. A second version, part of the "Legacy Series", was released as a two-disc set on September 6, 2005, with an anamorphic transfer of the film. The set features a cinematographer's commentary by Vilmos Zsigmond, deleted and extended scenes, and production notes.
The film was released on HD DVD on December 26, 2006.
The film ranks 467th in the Empire magazine's 2008 list of the 500 greatest movies of all time, noting:
StudioCanal released the film on the Blu-ray format in countries other than the United States on March 11, 2009. It was released on Blu-ray in the U.S. on March 6, 2012.
In a 2011 interview with Rotten Tomatoes, actor william Fichtner retrospectively stated that he and his partner were silenced after seeing the film, stating that "the human experience was just so pointed; their journeys were so difficult, as life is sometimes. I remember after seeing it, walking down the street — I actually went with a girl on a date and saw The Deer Hunter, and we left the theater and walked for like an hour and nobody said anything; we were just kind of stunned about that."
Cimino won the film's only Golden Globe Award for Best Director. Other nominations the film included Best Motion Picture – Drama, De Niro for Best Motion Picture Actor – Drama, Walken for Best Motion Picture Actor in a Supporting Role, Streep for Best Motion Picture Actress in a Supporting Role, and Washburn for Best Screenplay – Motion Picture.
Author Karina Longworth notes that Streep "made a case for female empowerment by playing a woman to whom empowerment was a foreign concept—a normal lady from an average American small town, for whom subservience was the only thing she knew". She states that The Deer Hunter "evokes a version of dominant masculinity in which male friendship is a powerful force". It has a "credibly humanist message", and that the "slow study of the men in blissfully ignorant homeland machismo is crucial to it".
