After the success of Le Dernier de six, Clouzot was hired as the head of Continental's screenwriting division. Clouzot began work on his second Steeman adaptation, which he would also direct, titled The Murderer Lives at Number 21. It starred Fresnay and Delair playing the same roles they had performed in Le Dernier de six. Released in 1942, the film was popular with audiences and critics. Clouzot's next film was Le Corbeau based on a true story about a woman who sent poison pen letters in France in 1922. Grevin was against Clouzot making this film, stating that topic was "dangerous". Le Corbeau would be the last film that Fresnay and Clouzot would work together on. Clouzot had used all possible means to try to anger the actor during the filming, and after he quarreled with Fresnay's wife, Yvonne Printemps, Fresnay and Clouzot broke off their friendship.Le Corbeau was a great success in France, with nearly 250,000 people having seen it in the first months of its initial release. Le Corbeau was released in 1943 and generated controversy from the right-wing Vichy regime, the left-wing Resistance press and the Catholic Church. The Catholic Church considered the film "painful and hard, constantly morbid in its complexity". The Vichy press dubbed it the antithesis of the Révolution nationale and demanded it be banned due to its immoral values. The anti-Nazi resistance press considered it Nazi propaganda because of its negative portrayal of the French populace. Two days before the release of Le Corbeau, Continental films fired Clouzot.