The film's tone was inspired by a discussion with Editor Nicholas Porteous about a review of Ang Lee's film Hulk, in which a Producer theorized that the film was seen as a commercial failure "because it wasn’t dark and gritty, like Batman Begins". Natale found the idea that Begins succeeded solely due to its tone insulting to its Director Christopher Nolan, and joked with Majdoub on the popularity of 'dark' series reboots, pondering what series would be good for a live-action adaptation. Settling on Pokémon due to its undertones of animal rights abuse, Majdoub wanted to approach the film from a completely mature standpoint. Displeased with the current trend of video game to film adaptations, they wished to "see how far we could take it without being absolutely ridiculous". A variety of locations were worked in to give the completed project a proper trailer feel. The title Pokémon Apokélypse was chosen as nod to Apocalypse Now, due to the similarity of the shooting ratios, with only ten percent of the footage actually used. Though several scenes were shot to add more content to the film, others using dialogue and one-liners from the anime series were purposefully shot in longer scenes then cropped down, in order to ensure the lines did not feel forced and to give a sense that "here is a world beyond what is shown in the trailer".