In keeping with his dedication to community-based art, Peter Coyote was employed in the early 1970s by the San Francisco Arts Commission in the historical Neighborhood Arts Program (NAP), with funding from the Comprehensive Employment and Training Act (CETA, Pub.L. 93–203), a United States federal law enacted by Congress, signed into law by President Richard Nixon, 1973 to train workers and provide them with jobs in the public Service. The San Francisco Arts Commission's Neighborhood Arts/CETA Program was the first in the country to use CETA funds to hire artists to work in Service to a city. From this position, Coyote was appointed by Governor Jerry Brown to be a member of the California Arts Council, the state agency which determines art policy for the state. He served on the CAC from 1975 to 1983. After his first year, Coyote was elected chairman by his peers three years in a row and during his tenure as chairman, the Council's overhead expenses dropped from 50% to 15%, the lowest in the State, and the Arts Council budget rose from $1 million to $16 million. More importantly, his council introduced the idea of artists as "creative Problem solvers" and by paying artists to "solve problems for the state" rather than make art, they bypassed the objections of many conservative lawmakers. Coyote engineered relationships with 14 departments of State which began to use artists in a variety of capacities, paying 50 cents on the dollar for it. It was an immense success and gave him the confidence (after 12 years in the counter-culture) to try his hand at film-acting.