Other siblings included Frederick (born circa 1882), Sydney (born circa 1884), Lewis (born circa 1889) and a sister, Lily (born circa 1893). Another brother, Leopold McLaglen (1884-1951), who appeared in one film, gained notoriety prior to World War I as a showman and self-proclaimed world jujutsu champion, who authored a book on the subject.
One of ten siblings, he had eight brothers and a sister. Four of his brothers also became actors: Arthur (1888–1972), an actor and Sculptor, and Clifford (1892–1978), Cyril (1899–1987) and Kenneth (circa 1901-1979).
He returned to Britain in 1913 and during the First World War served as a captain (acting) with the 10th Battalion, Middlesex Regiment. Later, he claimed to have served with the Royal Irish Fusiliers. He served for a time as military Assistant Provost Marshal for the city of Baghdad. He continued boxing, and was named heavyweight champion of the British Army in 1918.
Victor McLaglen was married three times. He first married Enid Lamont in 1919. The couple had one daughter, Sheila, and one son, Andrew. Andrew McLaglen was a television and film Director who worked on several film projects with John Wayne. Andrew's children, Mary and Josh McLaglen, are both film producers and Directors. Sheila's daughter, Gwyneth Horder-Payton, is a television Director. Enid Lamont McLaglen died in 1942 as a result of a horse-riding accident.
McLaglen's career took a surprise turn in the 1920s when he moved to Hollywood. He became a popular character actor, with a particular knack for playing drunks. He also usually played Irishmen, leading many film fans to mistakenly assume he was Irish rather than English. McLaglen played one of the titular Unholy Three (1925) in Lon Chaney Sr.'s original silent version of the macabre crime drama.
He was in the adventure films: Corinthian Jack (1921), andThe Prey of the Dragon (1921). He followed it with The Sport of Kings (1921). Donald Crisp cast him in The Glorious Adventure (1922) and he was in A Romance of Old Baghdad (1922), Little Brother of God (1922), A Sailor Tramp (1922), The Crimson Circle (1922), The Romany (1922), and Heartstrings (1922).
McLaglen played leads in M'Lord of the White Road (1923), In the Blood (1923), The Boatswain's Mate (1923), Women and Diamonds (1924), and The Gay Corinthian (1924). He was in The Passionate Adventure (1924), co written by Alfred Hitchcock, and The Beloved Brute (1924), The Hunted Woman (1925), and Percy (1925).
McLaglen had a support part in Winds of Chance (1925), directed by Frank Lloyd, then made The Fighting Heart (1925) at Fox, directed by John Ford. Ford would have a major impact on McLaglen's career. McLaglen was in The Isle of Retribution (1925), Men of Steel (1926), and Beau Geste (1926), playing Hank in the latter.
McLaglen was the top-billed leading man in Director Raoul Walsh's First World War classic What Price Glory? (1926) with Edmund Lowe and Dolores del Rio. The film was a huge success, making over $2 million, and Fox signed McLaglen to a long term contract.
Fox put McLaglen in The Loves of Carmen (1927) with del Rio, directed by Walsh. He was top billed in Mother Machree (1928), directed by Ford. He was top billed in A Girl in Every Port (1928), co-starring Robert Armstrong and Louise Brooks. He starred in Hangman's House (1928) for Ford, a romantic drama set in Ireland, and The River Pirate (1928), and Captain Lash (1929). McLaglen then made two films for Ford: Strong Boy (1929) and The Black Watch (1929).
McLaglen was one of many Fox stars who had cameos in the musical Happy Days (1929). He was reunited with Edmund Lowe and Raoul Walsh in a sequel to What Price Glory?, The Cock-Eyed World (1929), which was another huge success at the box office.
McLaglen made a musical with Walsh, Hot for Paris (1930), then made On the Level (1930). A Devil with Women (1931) was a buddy comedy with Humphrey Bogart. He was borrowed by Paramount for Dishonored (1931), starring Marlene Dietrich and directed by Joseph von Sternberg. He was in Not Exactly Gentlemen (1931) and hada cameo in the short film The Stolen Jools (1931). McLaglen, Lowe and Walsh reunited for a second sequel to What Price Glory?, Women of All Nations (1931). He was in Annabelle's Affairs (1931), Wicked (1931), The Gay Caballero (1932), and Devil's Lottery (1923). McLaglen and Lowe went to Paramount for Guilty as Hell (1932).
Back at Fox he was in Rackety Rax (1932) then made a fourth What Price Glory? film with Lowe, Hot Pepper (1933). McLaglen starred in Laughing at Life (1933) and returned to Britain to make Dick Turpin (1933).
In 1933, he founded the California Light Horse Regiment, which included a "riding parade club, a polo-playing group and a precision motorcycle contingent". He described it in a press interview as promoting "Americanism". He said it was organized to fight communists and others "opposed to the American ideal", both inside and outside the country. McLaglen was attacked by some on the left as fascist, which he denied. He said he was a "patriot of the good old-fashioned American kind."
At Paramount, McLaglen and Lowe were in No More Women (1934) (a non-What Price Glory? film), then McLaglen made Wharf Angel (1934). He was one of many stars in Murder at the Vanities (1934). At Columbia, McLaglen starred in The Captain Hates the Sea (1934) with John Gilbert. He and Lowe reunited at Fox for Under Pressure (1935) (directed by Walsh) and The Great Hotel Murder (1935).
In 1935, McLaglen spent a reported $40,000 to build his own stadium near Riverside Drive and Hyperion Avenue, near Griffith Park and the Atwater Village neighborhood of Los Angeles. The stadium was used for football and many other activities. The Los Angeles River flood of 1938 seriously damaged the stadium, and it fell into disuse thereafter. In 1941, he was selected as the grand marshal of the Clovis Rodeo parade in Clovis, California.
McLaglen starred in Magnificent Brute (1937) for Universal, Sea Devils (1937) for RKO and Nancy Steele Is Missing! (1937) for Fox. He stayed at Fox to support Robert Taylor in This Is My Affair (1937) and, notably, Shirley Temple in Wee Willie Winkie (1937) directed by Fox. He had a cameo in Ali Baba Goes to Town (1937). He and Brian Donlevy made a comedy Battle of Broadway (1938) at Fox, then he went to Universal for The Devil's Party (1938).
McLaglen returned to Britain for We're Going to Be Rich (1938) with Gracie Fields. Back in Hollywood he did some films for RKO: Pacific Liner (1939) and Gunga Din (1939). The latter, with Cary Grant and Douglas Fairbanks Jr., was an adventure epic loosely based on Rudyard Kipling's poem that served as the template decades later for Indiana Jones and the Temple of Doom (1984).
At Universal McLaglen teamed with Basil Rathbone in Rio (1939) and Jackie Cooper in The Big Guy (1939). He was top billed in Edward Small's South Seas adventure, South of Pago Pago (1940). He remained top billed for Diamond Frontier (1940), and Broadway Limited (1941).
McLaglen and Lowe reprised their roles from What Price Glory? in the radio program Captain Flagg and Sergeant Quirt, broadcast on the Blue Network (28 September 1941 – 25 January 1942, and on NBC 13 February 1942 – 3 April 1942).
McLaglen and Lowe then played basically the same roles but under different names in Call Out the Marines (1942) at RKO. He starred in Powder Town (1942) and went to Fox to support Gene Tierney in China Girl (1942). He was one of many stars in Forever and a Day (1943) and had a support role in Tampico (1943), and Roger Touhy, Gangster (1944). McLaglen was a villain in Bob Hope's The Princess and the Pirate (1944) and he could be seen in Rough, Tough and Ready.
His second marriage was to Suzanne M. Brueggeman. That marriage lasted from 1943 until 1948. His third and final marriage was to Margaret Pumphrey, a Seattle socialite he married in 1948. They remained married until his death of a heart attack in 1959.
McLaglen began to be exclusively a support actor, with parts in Love, Honor and Goodbye (1945), Whistle Stop (1946), Calendar Girl (1947), The Michigan Kid (1947), and The Foxes of Harrow (1947).
McLaglen was back with John Ford for Fort Apache (1948) with John Wayne. It was very much a support part, as a cavalry sergeant, but so well received that McLaglen basically reprised it in the other two films in the Ford-Wayne "cavalry trilogy": She Wore a Yellow Ribbon (1949) and Rio Grande (1950).
McLaglen was later nominated for another Oscar, this time for an Best Supporting Actor for his role opposite John Wayne in The Quiet Man (1952). He continued to be in demand as a support actor in action films: Fair Wind to Java (1953) and Prince Valiant (1954). He went to Britain for Trouble in the Glen (1954), an unsuccessful attempt to do for Scotland what The Quiet Man did for Ireland. Back in Hollywood he was in Many Rivers to Cross (1955) at MGM.
McLaglen had a rare late career lead role in City of Shadows (1955) at Republic and he was second billed in Bengazi (1955). However he went back to supports with Lady Godiva of Coventry (1955). He had a cameo in Around the World in 80 Days (1956) then had another lead in The Abductors (1957), directed by his son, Andrew.
He went to Italy for Gli Italiani sono matti and had a good part in Sea Fury (1958), shot in England with Stanley Baker.
On 8 February 1960, McLaglen received a star on the Hollywood Walk of Fame at 1735 Vine Street, for his contributions to the motion picture industry.
