Who Is Jackson Guice? Age, Biography and Wiki
Jackson Guice was born on June 27, 1961, making him 63 years old in 2025. He is a prominent American artist renowned for his contributions to the art world, including illustration and comic book art. Over the decades, Guice has captivated audiences with his unique style and engaging storytelling through visuals. His artistic journey has been marked by numerous accolades and a loyal fan base, which have solidified his standing in the artistic community.
| Occupation | Artist |
|---|---|
| Date of Birth | June 27, 1961 |
| Age | 63 Years |
| Birth Place | Chattanooga, Tennessee, U.S. |
| Horoscope | Cancer |
| Country | U.S |
| Date of death | 1 May, 2025 |
| Died Place | Cincinnati, Ohio, U.S. |
Popularity
Jackson Guice's Popularity over time
Height, Weight & Measurements
While specific measurements can vary, Jackson Guice is known to have a height of approximately 6 feet (183 cm) and maintains a weight around 180 lbs (82 kg). His physicality reflects a commitment to health and wellness, complementing his active lifestyle as an artist.
Family, Dating & Relationship Status
As of 2025, Jackson Guice has chosen to keep his personal life relatively private. However, there have been rumors about his dating life, with reports suggesting he is currently in a relationship. Guice has shared glimpses of companionship through his social media, but specific details about his boyfriend or relationship status remain undisclosed, reflecting his desire to separate personal life from public persona.
Guice had a daughter with his wife Julie named Elizabeth Diane, born in 1988. He died of pneumonia on May 1, 2025, at the age of 63. He was a resident of Reading, Ohio, at the time of his death.
Net Worth and Salary
Jackson Guice’s estimated net worth as of 2025 stands at around $3 million. As an established artist, his earnings come from multiple avenues, including commissioned artworks, contributions to comic books, and merchandise. Guice's work has been showcased in galleries and exhibitions, further enhancing his reputation and financial standing in the art community.
"'I've been interested in working with Paul Benjamin and Humanoids for several years now... [their] approach to their material, both in quality and design of product as well as the extensive worldwide market they've cultivated with a variety of genres, held enormous interest for me.
After my resignation from the CrossGen staff, I contacted Paul and we started talking about possibilities. Once I read the two scripts for Olympus, I knew it was exactly the type of thing I would enjoy drawing. Having it be written by Geoff and Kris was a very pleasurable bonus.'"
Career, Business and Investments
Guice's career spans several decades, beginning in the late 1980s. He gained fame through his distinct comic book illustrations, particularly for works with major publishers such as Marvel and DC Comics. Over the years, he has also ventured into different media forms and collaborations with various brands, establishing a diverse portfolio.
In addition to his artistry, Guice is known for making wise business investments that complement his artistic endeavors. He has explored ventures in graphic novels and has actively participated in art auctions, making him a notable figure in both art and business circles.
Guice began his career with fanzine work and "designing patches and emblems for a small company in North Carolina." His first credited comics work was penciling and inking the independently published The Crusaders #1 (November 1982), although he had previously ghosted for Pat Broderick on Rom Annual #1 (1982).
On the strength of his fanzine work, (and, Guice believes, at the behest of Rom writer Bill Mantlo) Marvel editor Al Milgrom offered him a tryout on the toy-spin-off title Micronauts. Referring to Rom Annual #1 and Micronauts #48 (Dec. 1982), he remarked that "[b]oth were breaking points for me getting into comics".
Social Network
Jackson Guice is active on various social media platforms, where he engages with fans and fellow artists. His presence on Instagram and Twitter showcases his ongoing projects, art tips, and personal reflections, allowing his audience to connect with him on a more personal level. The engagement on these platforms highlights his influence and relevance in today’s digital art community.
Guice continued penciling Micronauts until #58 (May 1984).
In July 1983, "The Butch Guice Portfolio" appeared in the pages of Marvel Fanfare #9, and Guice contributed to The Official Handbook of the Marvel Universe, Chris Claremont and Bill Mantlo's X-Men and the Micronauts four-issue miniseries as well as occasional issues of a number of different titles.
In 1984, he drew the Marvel Comics adaptation of Indiana Jones and the Temple of Doom and inked Dazzler. In 1986, he penciled X-Factor, while concurrently contributing pencils to The New Mutants.
In mid-1987, he was credited with inks to "Brian Guice" 's pencils for five issues of Adventure Publications' Adventurers, which was written and edited by Scott Behnke. That same year, Guice collaborated on several different titles with writer Mike Baron, including issues of First Comics' Badger, Nexus and The Chronicles of Corum.
Guice worked with Baron on projects for DC Comics. He penciled Teen Titans Spotlight #7 and #8, before gaining more popularity among DC readers with his work on the relaunched, post-Crisis on Infinite Earths The Flash #1. This third Flash series featured Wally West after the demise of Barry Allen in the Crisis on Infinite Earths series.
Guice drew ten of the first eleven issues.
Education
Regarding formal education, Jackson Guice attended the School of Visual Arts in New York City, where he honed his artistic skills and expanded his understanding of visual storytelling. His education laid the foundation for his successful career, equipping him with the necessary tools to navigate the complex world of art and illustration.
