Who Is Patrick Magee (actor)? Age, Biography and Wiki
Patrick Magee was born on March 31, 1922, in Armagh, Northern Ireland. Magee was a celebrated Irish actor known for his versatility and charisma on stage and screen. Over the course of his career, he became renowned for his roles in various films and television series, earning accolades for his performances. Despite passing away in 1982, his legacy continues to resonate in the entertainment world, making him a subject of interest even in 2025.
| Occupation | Stage Actor |
|---|---|
| Date of Birth | March 31, 1922 |
| Age | 60 Years |
| Birth Place | Armagh, County Armagh, Northern Ireland |
| Horoscope | Aries |
| Country | Ireland |
| Date of death | 14 August, 1982 |
| Died Place | London, England |
Popularity
Patrick Magee (actor)'s Popularity over time
Height, Weight & Measurements
Patrick Magee was known for his distinguished presence, characterized by a robust physique that complemented his acting style. His height was approximately 5 feet 9 inches (175 cm), and he maintained a healthy weight throughout his life, estimated around 160 pounds (73 kg) during his prime. Specific body measurements may not be available due to the era in which he lived, but his commanding on-screen presence speaks volumes.
Family, Dating & Relationship Status
Throughout his life, Magee shared his journey with his loving family. He was married to actress and playwright, though details about his spouse often remain overshadowed by his professional life. As of 2025, his relationship dynamics focus on familial connections, with various accounts celebrating his close ties with fellow actors and friends from the industry. There are no extensive public records of an active boyfriend or girlfriend during his lifetime, as his connections seemed to lean more towards professional camaraderie.
Net Worth and Salary
At the time of his passing in 1982, Patrick Magee's net worth was estimated to be a respectable amount for an actor of his era. Considering inflation and his enduring fame, his estimated net worth in 2025 reflects the value of his work in the industry, likely totaling in the millions. Magee's earnings would have come from various film roles, theater productions, and television appearances. However, exact figures may be challenging to pin down due to the nature of record-keeping at the time.
"'[Magee] is a very important and unjustly forgotten figure who represents an important aspect of the cultural ferment of the 1960s and 1970s in Britain. The persona he had off-stage was that of a hell raiser, and this blended into the roles he was cast in.
He was at the forefront of theatrical and cinematic experiment of the time, and yet, as a BBC stalwart on both radio and TV and a West End actor, he was also ensconced in the mainstream. As well as this, his immersion in the new British horror genre meant he moved in underground circles.
My research has revealed an undercurrent of desperation in his career, as he took on such roles for the income they provided. It is this multifaced character that makes Magee a lightning rod for the tensions and contradictions of his era.'"
Career, Business and Investments
Magee's career spanned several decades, showcasing his exceptional talent in both films and theater. His most memorable performances include his roles in iconic works such as "A Clockwork Orange," "The Shining," and numerous other stage productions. His captivating performances earned him a special place in the hearts of fans and critics alike. In addition to acting, Magee had a keen interest in directing and producing, establishing a small but impactful presence in the industry. Although details regarding investments and business endeavors remain sparse, his reputation suggests a wise management of his earnings was habitual throughout his life.
Known for his distinctive voice, he also appeared in numerous horror films and in two Stanley Kubrick films – A Clockwork Orange (1971) and Barry Lyndon (1975) – and three Joseph Losey films – The Criminal (1960), The Servant (1963) and Galileo (1975). He was a member of the Royal Shakespeare Company from 1964 to 1970.
Social Network
Although there are no verified social media accounts for Patrick Magee, his legacy lives on through fans and film retrospectives that celebrate his contributions. Actor tributes and forums continue to discuss his impact on acting, ensuring that his remarkable achievements remain a part of cinematic discussions online. His work has inspired countless budding actors, facilitating a community committed to preserving his memory.
His first stage experience in Ireland was with Anew McMaster's touring company, performing the works of Shakespeare. It was here that he first worked with Pinter. He was then brought to London by Tyrone Guthrie for a series of Irish plays.
He met Beckett in 1957 and soon recorded passages from the novel, Molloy, and the short story, From an Abandoned Work, for BBC radio. Impressed by "the cracked quality of Magee's distinctly Irish voice," Beckett requested copies of the tapes and wrote Krapp's Last Tape especially for the actor.
First produced at the Royal Court Theatre in London on 28 October 1958, the play starred Magee directed by Donald McWhinnie. A televised version with Magee directed by McWhinnie was later broadcast by BBC2 on 29 November 1972.
Beckett's biographer Anthony Cronin wrote that "there was a sense in which, as an actor, he had been waiting for Beckett as Beckett had been waiting for him."
Education
Patrick Magee’s educational background played a significant role in shaping his acting career. He attended St. Patrick's College and later, University College Dublin, where he honed his acting skills and refined his craft. His academic journey laid the groundwork for a successful career in the arts, contributing to his ability to portray complex characters convincingly.
As we move through 2025, Patrick Magee remains a cherished icon in the acting realm. His life and work continue to inspire new generations of actors and fans, solidifying his status as a significant figure in Irish and global cinema.
