Who Is Antônio Carlos Jobim? Age, Biography, and Wiki
Antônio Carlos Jobim, born on January 25, 1927, in Rio de Janeiro, Brazil, remains a towering figure in the world of music, particularly in the Bossa Nova genre. His profound talent and innovative approach to music have left an indelible mark on both Brazilian music and the international music scene. Jobim passed away on December 8, 1994, at the age of 67, but his legacy continues to thrive as artists and musicians celebrate his contributions.
| Occupation | Folk Singer |
|---|---|
| Date of Birth | January 25, 1927 |
| Age | 67 Years |
| Birth Place | Rio de Janeiro, Brazil |
| Horoscope | Aquarius |
| Country | Brazil |
| Date of death | 8 December, 1994 |
| Died Place | N/A |
Popularity
Antônio Carlos Jobim's Popularity over time
Height, Weight & Measurements
Though specific details regarding Antônio Carlos Jobim's physical measurements are not widely documented, it is known that he had a charming and charismatic presence, which complemented his artistic spirit. He was of average height and had a typical build for a singer and composer of his time.
Family, Dating & Relationship Status
Antônio Carlos Jobim was married twice throughout his life. His first marriage was to the lovely and talented singer, actress, and model, Doris Jobim. The couple had children together, including the acclaimed musician Paulo Jobim. After their separation, Jobim married his second wife, the Brazilian writer and journalist, Helena Jobim. Despite his professional life under the spotlight, Jobim was known to be a private person when it came to his family and love life, often choosing to keep his relationships out of the public eye.
His father, Jorge de Oliveira Jobim (São Gabriel, Rio Grande do Sul; 1889–1935), was a writer, diplomat, professor and journalist. He came from a prominent family, being the great-nephew of José Martins da Cruz Jobim, senator, privy councillor and physician of Emperor Dom Pedro II.
While studying medicine in Europe, José Martins added Jobim to his last name, paying homage to the village where his family came from in Portugal, the parish of Santa Cruz de Jovim, Porto. Antônio's mother, Nilza Brasileiro de Almeida (c. 1910–1989), was of partly indigenous descent from northeastern Brazil.
Brasileiro de Almeida was only 16 years old when she gave birth to Antônio Carlos Jobim at their home in Tijuca on Rua Conde de Bonfim.
Net Worth and Salary
At the time of his death, Antônio Carlos Jobim's net worth was estimated to be around $20 million. Given his diverse contributions to music—ranging from compositions for cinema to Bossa Nova classics that continue to be revered today—his earnings were derived from various sources including album sales, performances, and royalties. In 2025, his music remains a perennial favorite, ensuring that his legacy continues to generate income through continuous streams and licensing deals.
Career, Business and Investments
Jobim's career began to flourish in the 1950s with his innovative Bossa Nova sound, blending samba rhythms with jazz influences. His breakout hit "Garota de Ipanema" (The Girl from Ipanema) elevated him to international stardom. Throughout his illustrious career, he collaborated with numerous renowned musicians, further expanding his creative reach.
In addition to music, Jobim was involved in various business ventures related to his musical legacy, including music festivals, tributes, and recordings. His investments in music publishing have allowed him to retain a stake in the profits generated by his extensive catalog.
Social Network
Despite the passing of time and advancements in technology since Jobim's death, his work continues to be celebrated on various social media platforms. Tributes to Jobim can be found across platforms such as Instagram, Twitter, and Facebook, where music lovers share their favorite songs and stories about his influence on music and culture.
Jobim became prominent in Brazil when he teamed up with poet and diplomat Vinicius de Moraes to write the music for the play Orfeu da Conceição (1956). The most popular song from the show was "Se Todos Fossem Iguais A Você" ("If Everyone Were Like You").
Later, when the play was adapted into a film, producer Sacha Gordine did not want to use any of the existing music from the play. Gordine asked de Moraes and Jobim for a new score for the film Orfeu Negro, or Black Orpheus (1959).
Moraes was at the time away in Montevideo, Uruguay, working for the Itamaraty (the Brazilian Ministry of Foreign Affairs) and so he and Jobim were only able to write three songs, primarily over the telephone ("A felicidade", "Frevo" and "O nosso amor").
This collaboration proved successful, and de Moraes went on to pen the lyrics to some of Jobim's most popular songs.
Education
Antônio Carlos Jobim's education in music began informally in his family environment, where he was exposed to various musical styles. He later attended the National School of Fine Arts in Brazil, which further fueled his artistic pursuits. Although he did not pursue formal music education extensively, his natural talent and passion served as his greatest teachers.
