Who Is K. Viswanath? Age, Biography and Wiki
Born on February 19, 1930, K. Viswanath was a prominent figure in Indian cinema, recognized for his extraordinary ability to weave music and dance into narratives that resonate deeply with audiences. By 2025, his influence continues to be studied and celebrated. His filmography spans multiple languages including Telugu, Tamil, and Hindi, showcasing his versatility and dedication to the craft of filmmaking.
Learn more about K. Viswanath on his Wikipedia page.
| Occupation | Screenwriter |
|---|---|
| Date of Birth | February 19, 1930 |
| Age | 92 Years |
| Birth Place | Repalle, Madras Presidency, British India (now in Andhra Pradesh, India) |
| Horoscope | Aquarius |
| Country | India |
| Date of death | 2 February, 2023 |
| Died Place | Hyderabad, Telangana, India |
Popularity
K. Viswanath's Popularity over time
Height, Weight & Measurements
While specific details regarding K. Viswanath's physical measurements are not widely documented, it’s known that he maintained a charismatic presence both on-screen and off. His contributions to the arts far outweigh conversations about physicality.
Family, Dating & Relationship status
K. Viswanath was known to have married his loving wife, Padma, and the couple enjoyed a long-lasting relationship that spanned several decades. They shared a close bond, and their partnership was often reflected in his works as themes of love and family played vital roles in many of his films. Although K. Viswanath's personal life was relatively private, he often spoke fondly of his family during interviews, highlighting their significance in his life.
His ancestral roots come from Pedapulivarru, Andhra Pradesh, a small village on the banks of River Krishna. Viswanath studied Intermediate from Guntur Hindu College, and holds a BSc degree from Andhra Christian College of Andhra University. He began his career as a sound recordist at Vauhini Studios in Madras, where his father was an associate.
There, he apprenticed under the guidance of A Krishnan, who was the Head of Sound Engineering at Vauhini. Viswanath and A Krishnan developed a close rapport and later after the former made the transition into film direction, he would always bounce ideas off the latter.
Viswanath made his entry into film direction at Annapurna Pictures under Adurthi Subba Rao and K. Ramnoth. He wished to work as an assistant to director K. Balachander and Bapu.
Net Worth and Salary
At the time of his passing, K. Viswanath had amassed a notable net worth through his decades in the film industry, although specific figures were never disclosed. His films have been both commercially and critically successful, earning him various accolades and a staunch fan base. His legacy continues to generate interest, and his works remain influential in today’s cinema, ensuring his financial legacy lives on through royalties and tributes.
Career, Business and Investments
K. Viswanath's career spanned over six decades, with directorial projects that include iconic films such as Sankarabharanam, Swathi Muthyam, and Sagara Sangamam. He is celebrated for his innovative storytelling and the integration of classical music and dance into his films. A seasoned filmmaker, he also ventured into screenwriting and acting, earning him significant respect in the industry.
Beyond filmmaking, K. Viswanath was known for his investments and contributions to the arts community. He supported various cultural activities and institutions, promoting traditional Indian art forms.
Viswanath started his film career as an audiographer and over sixty years, he has directed 53 feature films in a variety of genres, including central themes based on performing arts, visual arts, aesthetics, melodrama, and poetry. Viswanath's filmography is known for addressing the issues of discrimination and socio-economic challenges through liberal arts medium.
Social Network
While K. Viswanath may not have had an active presence on social media platforms, his work left a monumental footprint that resonates with users across various platforms. His films are discussed and shared regularly, keeping his legacy alive in digital conversations and forums worldwide.
Sankarabharanam (1980) highlights the neglect of traditional Indian music under the increasing influence of western music. The film brings out the grandeur of Carnatic music, the traditional South Indian music towards the end.
Bhaskaran, a media and film researcher from Chennai has documented, in his study of South Indian music culture, how Sankarabharanam contributed to the revival of Carnatic music in a big way. The film broke many commercial records by running for over one year in cinemas.
In a recent study published in Journal of Dance, Movements & Spiritualities published by "Intellect Group" of the United Kingdom, C. S. H. N.
Murthy, a media and film studies scholar from India, has demonstrated how Viswanath's filmography embraces a wide spectrum of characters that include mentally and physically challenged subjects as well, like the film Sarada (1973), which exploits a psychologically deranged woman, Swathi Muthyam (1986), which exploits an autistic man's humanism, Sir
ivennela (1986) which revels in situations between deaf and dumb characters, and Kalam Marindi (1972), which dwells on characters stuck in a caste-based society.
Education
K. Viswanath’s educational background is rooted in the arts, where he honed his skills in filmmaking and storytelling. His passion for the performing arts was evident from a young age, influencing his creative journey from script to screen. His dedication to education and culture also extended to his roles in promoting artistic education.
