Who Is María Félix? Age, Biography, and Wiki
Born on April 8, 1914, in Álamos, Sonora, Mexico, María Félix was a prominent actress and singer, making waves in the entertainment industry until her passing in 2002. Known as “La Doña,” her powerful presence on screen has influenced generations of artists. With a career spanning several decades, she became a symbol of feminine strength and glamour, starring in numerous films that showcased her incredible acting abilities and captivating beauty.
| Occupation | Business |
|---|---|
| Date of Birth | April 8, 1914 |
| Age | 88 Years |
| Birth Place | Álamos, Sonora, Mexico |
| Horoscope | Aries |
| Country | Mexico |
| Date of death | 8 April, 2002 |
| Died Place | Mexico City, Mexico |
Popularity
María Félix's Popularity over time
Height, Weight & Measurements
María Félix was known for her elegant and statuesque figure. Standing at a height of approximately 5 feet 6 inches (168 cm), she possessed an alluring presence that drew audiences in. Throughout her life, her weight fluctuated, but she was often reported to be around 135 pounds (61 kg). Her body measurements have been noted as 36-24-36 inches (91-61-91 cm), showcasing her classic hourglass figure that became part of her iconic image.
Family, Dating & Relationship Status
María Félix had a colorful personal life, marked by high-profile romances and marriages. Throughout her life, she was married four times, with notable husbands including the renowned musician Agustín Lara and the wealthy businessman Alex Berger. By 2025, María Félix remains a celebrated figure of legendary relationships, with many admirers applauding her bold personality and choice in partners. Her legacy includes not only her cinematic contributions but also the fascinating stories behind her romantic entanglements.
María de los Ángeles Félix Güereña (8 April 1914 – 8 April 2002) was a Mexican actress and singer. Along with Pedro Armendáriz and Dolores del Río, she was one of the most successful figures of Latin American cinema in the 1940s and 1950s.
Considered one of the most beautiful actresses of the Golden Age of Mexican cinema, her strong personality and taste for finesse garnered her the title of diva early in her career.
She was known as La Doña, a name derived from her character in Doña Bárbara (1943), and María Bonita, thanks to the anthem composed exclusively for her as a wedding gift by her second husband, Agustín Lara. Her acting career consists of 47 films made in Mexico, Spain, France, Italy and Argentina.
Net Worth and Salary
At the time of her death in 2002, María Félix was among the wealthiest actresses in Mexico. Although exact figures regarding her net worth in 2025 are difficult to ascertain, it's estimated that her legacy and contributions to the film industry have continued to generate income through her estate and legacy projects. Her impactful career undoubtedly contributed to a substantial net worth, with estimates ranging into the millions, attributed to her films, endorsements, and timeless popularity.
Since Félix's death, these jewelry pieces have been displayed as part of The Art of Cartier Collection in several museums around the world. To pay tribute to the actress, in 2006 Cartier debuted its La Doña de Cartier collection. The La Doña de Cartier watch with reptilian links was created to impress by its wild look.
The case of the La Doña de Cartier features a trapezoid shape with an asymmetrical profile reminiscent of a crocodile's head. The wristband of the watch resembles the contours of a crocodile in large, bold and gold scales. The La Doña de Cartier Collection also includes jewelry, accessories, and handbags.
Career, Business and Investments
María Félix's career is nothing short of remarkable. Debuting in the 1930s, she quickly rose to prominence, becoming one of Mexico’s most celebrated actresses. She starred in numerous films throughout her career, becoming a national treasure. Besides acting, Félix also ventured into the realm of music, releasing several albums that tapped into her singing talents.
Félix was known to be shrewd with her business dealings, making strategic investments that diversified her income. In addition to her film and music career, she invested in real estate and fashion, further solidifying her status in the industry.
Later, the Félix family moved to Guadalajara. When María was 17, her beauty soon began to attract attention. She was crowned Beauty Queen at the University of Guadalajara. It was at this time that she met Enrique Álvarez Alatorre, a salesman for the cosmetics firm Max Factor. After a brief romance, the couple married in 1931.
In 1935, Félix gave birth to her only child, Enrique, nicknamed Quique. Her marriage with Álvarez was unsuccessful and the couple divorced in 1937. After her divorce, Félix returned to Guadalajara with her family, where she was the subject of gossip and rumors due to her status as a divorcée.
Because of this situation, Félix decided to move to Mexico City with her son.
Social Network
In 2025, María Félix's influence continues to resonate through various social media platforms. While she does not have a personal account, her fan pages and tribute accounts celebrate her iconic status, sharing memorable quotes, classic film clips, and stunning photographs. These platforms keep her spirit alive, allowing new generations to discover her work and appreciate her contributions to cinema.
Félix returned to Mexico in 1955. This period of her career was characterized by performing in period pieces inspired by the Mexican Revolution. This cycle begins with La Escondida (1955). In this film, as well as in stories like Canasta de cuentos mexicanos (1955) and Café Colón (1958), she worked again with Pedro Armendáriz.
In 1956 she starred in Tizoc with the actor and singer Pedro Infante. However, the film was not liked by the actress, despite her international success. Eventually she filmed Beyond All Limits (1957) with Jack Palance, and the melodramas Ash Wednesday and The Empty Star (both 1958).
In 1959 she played the title role in The Soldiers of Pancho Villa with top billing lead Dolores del Río. In 1959 she performed in the Spanish-Mexican co-production Sonatas directed by Juan Antonio Bardem and the French-Mexican co-production La Fièvre Monte à El Pao, directed by Luis Buñuel.
Education
Although specific details about María Félix's educational background are limited, it is known that she pursued her passion for the arts early on. Her experiences in the entertainment industry served as a unique education, teaching her invaluable lessons in performance, artistry, and business acumen.
