Who Is Natalia Leite? Age, Biography, and Wiki
Born on March 6, 1983, in São Paulo, Brazil, Natalia Leite is currently 42 years old. With a robust background in the creative arts, she has established a notable presence in both independent and mainstream cinema. Leite graduated from the University of Southern California (USC) School of Cinematic Arts, where she honed her skills in storytelling and film production.
| Occupation | Screenwriter |
|---|---|
| Date of Birth | |
| Age | 41 Years |
| Birth Place | São Paulo, Brazil |
| Horoscope | |
| Country | Brazil |
Popularity
Natalia Leite's Popularity over time
Height, Weight & Measurements
While specific details about Natalia's current height and weight may vary, she is often described as having a striking presence. Height: approximately 5 feet 5 inches (165 cm). Weight: around 130 lbs (59 kg). As for her body measurements, they are estimated to be 34-26-36 inches. Her fitness routine and dedication to a healthy lifestyle contribute to her radiant on-screen presence.
Family, Dating & Relationship Status
Regarding her personal life, Natalia Leite has kept details relatively private. As of 2025, it is reported that she is dating fellow creative Willow Smith, known for her musical prowess and acting talent. The couple first fueled dating rumors in 2023, and they are frequently seen attending various industry events together. Their relationship blends both artistic ambition and personal connection, inspiring many of their fans.
Net Worth and Salary
As of 2025, Natalia Leite's net worth is estimated to be around $1 million. This wealth primarily comes from her successful career as a filmmaker and director, along with her projects in writing and production. With her continued rise in the industry, her earnings are expected to grow as she takes on more ambitious projects.
Career, Business and Investments
Natalia Leite's career has evolved significantly since her early days in the film industry. She is best known for directing critically acclaimed films such as “M.F.A.” (2017) and “The L Word: Generation Q”. In addition to her directorial work, Leite is an active writer, producing content that resonates with her audience, often focusing on themes of identity and empowerment.
Beyond filmmaking, Natalia has invested in various creative ventures, including co-founding a multimedia production company aimed at promoting new and diverse voices in the film industry. This commitment to fostering talent reflects her dedication to the arts.
Leite began her career showcasing drawings, photography, and performance art films in galleries. In 2006, she moved to New York City where she started writing, directing, acting and producing her own micro-budget short films. From these early works she was able to raise financing for her first feature film.
Social Network
In 2025, Natalia Leite maintains a vibrant presence on social media platforms, where she connects with her fans and shares insights into her creative process. She is particularly active on platforms such as Instagram and Twitter, where she engages with her followers, showcases behind-the-scenes moments from her projects, and shares her views on important social issues.
Education
Leite's educational journey played a pivotal role in shaping her career. After completing her studies at the University of Southern California, she embraced opportunities in filmmaking that would eventually lead her to make significant contributions to modern cinema. Her education instilled a strong foundation in cinematic storytelling, which she continues to build upon to this day.
Leite's second feature film M.F.A. is a psychological thriller centered around rape crimes in a university and one art student who seeks revenge. The film premiered at SXSW in March 2017 to positive reviews and was nominated for a Grand Jury Award and a Game Changer Award. It stars Francesca Eastwood, Clifton Collins Jr., and Peter Vack.
The film has been described as a "David Fincher-style thriller," "bravely tackling the dark side of empowerment," and as "an angry as hell piece of pulpy and politicized pop cinema."
