Who Is Laxmikant–Pyarelal? Age, Biography and Wiki
Laxmikant–Pyarelal, the celebrated Indian composer duo, was formed in the late 1960s and consists of Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma. Known for their innovative fusion of Indian classical music with contemporary sounds, the duo emerged as leading music composers in the Hindi film industry. As of 2025, Laxmikant is 78 years old, while Pyarelal, born on February 3, 1940, is 85 years old.
Their partnership has yielded timeless hits for over four decades, solidifying their rank as one of the greatest music duos in Bollywood history. Their contributions to Indian cinema are vast, with an impressive filmography that includes over 600 films.
| Occupation | Conductor |
|---|---|
| Date of Birth | |
| Age | 88 Years |
| Birth Place | N/A |
| Horoscope | |
| Country |
Popularity
Laxmikant–Pyarelal's Popularity over time
Height, Weight & Measurements
While specific statistics on their physical attributes aren't widely publicized, Laxmikant and Pyarelal have always maintained a professional and polished appearance, reflective of their status in the industry. Generally speaking, successful composers often prioritize health and wellness, which may be reflected in their active lifestyles.
Family, Dating & Relationship Status
Laxmikant and Pyarelal both have families that have supported their careers. Laxmikant was married and is a father to three children, while Pyarelal is also happily married. Their family ties and supportive relationships have played a fundamental role in their artistic journey and emotional stability, contributing positively to their musical output.
While details about their personal romantic lives (beyond their marriages) remain private, they have both expressed immense gratitude towards their families for their unwavering support throughout their professional endeavors.
Probably, because of the day of his birth, his parents named him Laxmikant, which is a name of Lord Vishnu, consort of Goddess Laxmi. His father died when he was a child. Because of the poor financial condition of the family he could not complete his academic education either.
Laxmikant's father's friend, a musician himself, advised Laxmikant and his elder brother to learn music. Accordingly, Laxmikant learned to play the mandolin and his elder brother learned to play the tabla. He spent two years in the company of the well-known mandolin player Hussain Ali.
He began organising and performing in Indian Classical instrumental music concerts to earn some money. Later, in the 1940s, he also learned mandolin from Bal Mukund Indorker and violin from Husnalal (of the Husanlal Bhagatram fame). Laxmikant began his film career as a child actor in the films Bhakt Pundalik (1949) and Aankhen (1950).
He also acted in some Gujarati films.
Net Worth and Salary
As of 2025, Laxmikant–Pyarelal's net worth is estimated to be around $50 million. This figure reflects their long-standing career in the music industry, with earnings coming from film scores, albums, live performances, and music licensing deals. Given their extensive backlog of successful projects, they continue to receive royalties on their work, contributing to their substantial wealth.
Career, Business and Investments
Laxmikant–Pyarelal's career has spanned several decades, with notable works that have left an indelible mark on the Indian music landscape. They have composed music for a wide range of genres, infusing classical Indian sounds into modern film scores. Their collaboration with prominent filmmakers and artists has opened numerous doors, leading to several prestigious awards, including Filmfare Awards.
In addition to their work in film music, the duo has ventured into business through various music production companies and royalties from their extensive catalog of songs. Their ability to adapt to changing musical landscapes has also encouraged their investment in upcoming artists and projects in the music and film industry.
Laxmikant–Pyarelal were an Indian composer duo, consisting of Laxmikant Shantaram Kudalkar (1937–1998) and Pyarelal Ramprasad Sharma (born 1940). In their career span stretching from 1963 to 1998, they composed music for about 750 movies, working with several prominent film-makers.
Social Network
In today's digital age, maintaining a robust social media presence is crucial. Laxmikant–Pyarelal are active on various social media platforms, connecting with fans and promoting their music. They share insights into their creative process, milestones in their career, and engagement with followers, making them relevant figures in both the music industry and on social media today.
Laxmikant–Pyarelal concluded the decade with Mere Hamdam Mere Dost (1968), Izzat (1968), Sajan (1969), Intaqam (1969), Aya Sawan Jhoom Ke (1969), Dharti Kahe Pukar Ke (1969), Anjaana (1969), Jeene Ki Raah (1969) and Do Raaste (1969). While, the first six albums were hits, the last two proved to be huge chartbusters.
The music of Do Raaste was such a rage that it helped the film to become the first Indian film to gross £100,000 in the UK, equivalent to ₹900,000 (US$118,940.64).
Like previous years, in 1968 and 1969 too songs composed by Laxmikant–Pyarelal, including "Chhalka Yeh Jaam", "Yeh Dil Tum Bin Kahin Lagta Nahin", "Kya Miliye Aise Logon Se", "Resham Ki Dori", "Aa Jaane Jaan", "Kaise Rahoon Chup Ki Meine Pee Hi Kya Hai", "Aa Mere Humjoli Aa Khele Aankh Michaulee Aa", "Je Ham Tum Chori Se Bandhe Ek Dori Se", "Rim
Jhim Ke Geet Sawan Gaye", "Aane Se Uske Aaye Bahar", "Bindiya Chamke Gi Chudi Khanke Gi" and "Yeh Reshmi Zulfen" were hugely successful.
At the 17th Filmfare Awards, they got nominated in the Filmfare Award for Best Music Director category for both Jeene Ki Raah and Do Raaste and won it for the former. The success of these films and their soundtrack brought Laxmikant–Pyarelal into the big league and they eventually overtook Shankar-Jaikishan, who ruled the roost from 1949 onwards.
Education
Both members of the duo bring rich musical backgrounds to their work. Laxmikant learned music at a young age, and his experience rooted in classical traditions laid the foundation for their future collaborations. Pyarelal, on the other hand, honed his skills through the family profession and practical training in music.
They also believe in the importance of nurturing new talent, contributing to music education by mentoring young composers and musicians, ensuring that the Indian music tradition continues to flourish.
