Who Is Maria Ewing? Age, Biography, and Wiki
Maria Ewing was born on March 27, 1950, and passed away in 2022, leaving an indelible mark on the world of opera. She was celebrated for her powerful voice, dramatic presence, and versatility across various operatic roles. Her contributions to the arts have been recognized globally, making her a significant figure in the opera community.
| Occupation | Opera Singer |
|---|---|
| Date of Birth | March 27, 1950 |
| Age | 71 Years |
| Birth Place | Detroit, Michigan, U.S. |
| Horoscope | Aries |
| Country | U.S |
| Date of death | 9 January, 2022 |
| Died Place | Detroit, Michigan, U.S. |
Popularity
Maria Ewing's Popularity over time
Height, Weight & Measurements
Maria Ewing stood at approximately 5 feet 6 inches (168 cm). Throughout her life, she maintained a balanced weight that complemented her performance artistry, although specific numbers were not publicly documented. Her elegant frame and captivating stage presence were instrumental in her illustrious career.
Family, Dating & Relationship Status
Maria Ewing was known for her private nature when it came to her personal life. She was married to renowned opera director and conductor Sir Peter Hall, with whom she had a daughter, Rebecca Hall. Ewing also had previous relationships that were known to the public, though specifics about her dating life remained discreet. Her legacy continues through her family and the impact she made in the artistic world.
She was the youngest of four daughters of Hermina Ewing, née Veraar, a Dutch-born homemaker, and Norman Isaac Ewing, an electrical engineer at a steel company. Her father claimed to be of Sioux descent, but he was the son of parents who were each mixed-race, part European and part African.
Net Worth and Salary
As of 2025, it is estimated that Maria Ewing's net worth at the time of her passing was around $3 million. Her earnings were derived from her performances, recordings, and various artistic endeavors. While her financial details were not extensively disclosed, Ewing enjoyed a prosperous career that allowed her to lead a comfortable lifestyle.
Career, Business, and Investments
Maria Ewing's career spanned over four decades and included performances at some of the world's most prestigious opera houses, such as the Metropolitan Opera and the Royal Opera House. Ewing was not only a performer but also an educator and mentor for aspiring artists, contributing her wealth of knowledge to the next generation. Throughout her career, she invested in various artistic projects, including recordings and collaborations with influential composers.
Maria Louise Ewing, Lady Hall (March 27, 1950 – January 9, 2022) was an American opera singer. In the early part of her career she performed solely as a lyric mezzo-soprano; she later assumed full soprano parts as well. Her signature roles were Blanche, Carmen, Dorabella, Rosina and Salome. Some critics regarded her as one of the most compelling singing actresses of her generation.
Social Network
Though Maria Ewing was more of a private figure, she was respected by her peers and operatic fans on platforms such as Facebook and Twitter. Conversations surrounding her legacy and contributions to the arts continue in various forums and social networks, reaffirming her status as an iconic opera singer.
Ewing began her professional life as a lyric mezzo-soprano. Her debut was as Rosina in an English-language production of Il barbiere di Siviglia in Detroit in 1970, staged by a company now known as the Michigan Opera Theatre.
(She returned to the role many times, including at Houston Grand Opera in 1976 and 1983, at Glyndebourne Festival Opera in 1981 and 1982 and at the Metropolitan Opera in 1982.
) After three years of gradually building a career as a recitalist, concert artist and opera performer, she made her first appearance at a high-profile venue on June 29, 1973, when she starred at the Ravinia Festival singing a program of songs by Alban Berg accompanied by the Chicago Symphony Orchestra and conducted by Levine.
"I cannot remember a young singer who has excited me more on a first hearing", wrote the Chicago Tribune's Thomas Willis. "Still in her early twenties, she has the clear stamp of greatness in every movement and tone".
Education
Maria Ewing was highly educated in the arts, having studied at the prestigious Juilliard School. This formal training laid the groundwork for her exceptional talent and paved the way for her successful career in opera. Ewing frequently advocated for the importance of education in the arts, encouraging young singers to pursue formal training.
In summary, Maria Ewing’s legacy as an acclaimed opera singer continues to resonate in the world of music and performing arts. Her impressive career, significant relationships, and contributions to the opera community make her a figure worthy of remembrance and celebration.
When she was seventeen, she became a pupil of Marjorie Gordon, a coloratura soprano (not to be confused with an English Gilbert and Sullivan soprano of the same name). After only a year of teaching Ewing, Gordon suggested that she should apply to take part in Oakland University's Meadow Brook Music Festival.
She auditioned for the role of Maddalena in a production of Rigoletto that was to be conducted by a young James Levine. Their meeting proved to be wonderfully serendipitous: Levine was so struck by her expressive power that he assured her that she had the potential to become a major artist.
For her part, she found in him a teacher, mentor, guide, champion and friend. In order to study with Levine, she sought and won a scholarship at the Cleveland Institute of Music, where her other instructors included soprano Eleanor Steber.
After she graduated in 1970, Levine urged her to continue her training in New York City as a private pupil of the great mezzo-soprano Jennie Tourel. Ewing supported herself by working in offices and clothing stores.
