Es Devlin profile Photo

Es Devlin

Costume Designer

Birthday September 24, 1971

Birth Sign Libra

Birthplace Kingston upon Thames, London, England

Age 54 Years

#84,302 Most Popular

Who Is Es Devlin? Age, Biography and Wiki

Es Devlin, born on September 24, 1971, is a highly acclaimed British stage designer renowned for her innovative work in theatre, opera, and large-scale events. As of 2025, Es Devlin is 53 years old. She has made a significant mark in the creative industry, known for her unique aesthetic and ability to blend technology with art. Devlin's career has spanned over two decades, establishing her as a prominent figure in the world of design and performance.

Occupation Costume Designer
Date of Birth September 24, 1971
Age 54 Years
Birth Place Kingston upon Thames, London, England
Horoscope Libra
Country England

Popularity

Es Devlin's Popularity over time

Height, Weight & Measurements

Es Devlin stands at an approximate height of 5 feet 7 inches (170 cm). While her weight is not publicly disclosed, her presence is often described as commanding and graceful, which is reflected in her artistic creations. Her specific body measurements, including dress size and shoe size, remain personal and are not widely shared.

Family, Dating & Relationship Status

As of 2025, Es Devlin keeps her personal life relatively private, but she is known to be in a long-term relationship with her partner. Details regarding her boyfriend or girlfriend are not extensively publicized. Devlin is protective of her familial relationships and often focuses on her professional endeavors, which include collaborations with high-profile artists and organizations.

She studied English literature at Bristol University, followed by a Foundation Course in Fine Art at Central St. Martin's eventually specialising in theatre design. While undertaking her studies, she prepared the props for Le Cirque Invisible, the circus company founded by Victoria Chaplin and Chaplin's husband, Jean-Baptiste Thierrée.

Net Worth and Salary

Es Devlin's net worth is estimated to be in the range of $1 million to $5 million as of 2025. This wealth has been accumulated through her successful career in stage design, which includes her work on renowned productions and artistic installations. Her salary varies based on project involvement but is indicative of her status in the industry.

Career, Business and Investments

Es Devlin's career highlights include designing sets for major theatrical productions such as "West Side Story," operas like "Boris Godunov," and large-scale events like the London 2012 Olympics closing ceremony. Her groundbreaking designs have garnered numerous awards, including the prestigious Knight of Illumination Award.

In addition to her stage work, Devlin has ventured into visual art and architecture, showcasing her versatility as a designer. She has also established partnerships with brands and organizations, further broadening her impact in the realms of performance and visual innovation.

Es Devlin's career began in narrative theatre and experimental opera, with early work at London's Bush Theatre. In 1998, she made her National Theatre debut when Trevor Nunn invited her to design the set for Harold Pinter's Betrayal. Since then, Devlin has gained a reputation for her sculptural and innovative designs for the stage.

Social Network

Es Devlin maintains an active presence on social media, connecting with fans and fellow artists through platforms like Instagram and Twitter. Her official Instagram account (@esdevlin) boasts thousands of followers and features snapshots of her latest projects, behind-the-scenes looks at her design process, and insights into her artistic inspirations.

Using plastic trees, sellotape, stretchy mirrored sheeting, string, she builds "dream-like constellation of things" explaining that “the piece happens between those objects,”

Education

Devlin pursued her education at the University of Reading, where she studied English and Theatre Design. This academic background laid the foundation for her future endeavors in stage design and solidified her understanding of the fine interplay between narrative and visual storytelling.


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