Ulay profile Photo

Ulay

Performance Artist

Birthday November 30, 1943

Birth Sign Sagittarius

Birthplace Solingen, Nazi Germany

Age 76 Years

Date of death 2 March, 2020

Died Place Ljubljana, Slovenia

#12,247 Most Popular

Who Is Ulay? Age, Biography, and Wiki

Ulay, born Frank Uwe Laysiepen on November 30, 1943, was a renowned German performance artist and photographer, celebrated for his collaborations with his then-girlfriend Marina Abramović, which defined a generation of avant-garde art. Ulay passed away in 2020, but his impact on contemporary art endures, leaving a rich legacy that continues to inspire artists. In 2025, his influence remains a subject of discussion as new generations explore and reinterpret his works.

Occupation Performance Artist
Date of Birth November 30, 1943
Age 76 Years
Birth Place Solingen, Nazi Germany
Horoscope Sagittarius
Country Slovenia
Date of death 2 March, 2020
Died Place Ljubljana, Slovenia

Popularity

Ulay's Popularity over time

Height, Weight & Measurements

Ulay was known for his unique presence, although specific statistics regarding his height and weight were often overshadowed by his artistic endeavors. During his active years, he stood at approximately 6 feet tall and maintained a lean physique, which he often showcased in his performance art. However, exact measurements can vary, and Ulay’s legacy is far more important than his physical attributes.

Family, Dating & Relationship Status

Ulay was notably connected to Marina Abramović, with whom he shared a deep personal and professional relationship for over a decade. Their artistic collaborations included several groundbreaking performance pieces that explored themes of identity and intimacy. After their romantic relationship ended, Ulay and Abramović remained influential in each other’s lives. As Ulay passed away in 2020, there are no current relationship statuses or boyfriends or girlfriends to report in 2025.

This was the beginning of a decade of influential collaborative work. Each performer was interested in the traditions of their cultural heritage and the individual's desire for ritual. Consequently, they decided to form a collective being called "The Other", and spoke of themselves as parts of a "two-headed body".

They dressed and behaved like twins and created a relationship of complete trust. As they defined this phantom identity, their individual identities became less accessible.

In an analysis of phantom artistic identities, Charles Green has noted that this allowed a deeper understanding of the artist as performer, for it revealed a way of "having the artistic self-made available for self-scrutiny".

Net Worth and Salary

At the time of his death, Ulay's net worth was estimated to be around several million euros, primarily derived from his artwork, exhibitions, and collaborations. While he didn't publicly disclose all his financial details, the enduring value of his work in galleries and auctions has likely increased since his passing. His legacy carries significant financial implications, continuing to attract collectors and enthusiasts alike.

In November 2015, Ulay took Abramović to court, claiming she had paid him insufficient royalties according to the terms of a 1999 contract covering sales of their joint works. In September 2016, a Dutch court ordered Abramović to pay €250,000 to Ulay as his share of sales of artistic collaborations over their joint works.

In its ruling, the court in Amsterdam found that Ulay was entitled to royalties of 20% net on the sales of their works, as specified in the original 1999 contract, and ordered Abramović to backdate royalties of more than €250,000, as well as more than €23,000 in legal costs.

Additionally, she was ordered to provide full accreditation to joint works listed as by "Ulay/Abramović" covering the period from 1976 to 1980, and "Abramović/Ulay" for those from 1981 to 1988.

Career, Business, and Investments

Ulay's career was marked by intense and innovative performance art that transcended conventional boundaries. His collaborations with Abramović, particularly their performance "Relation in Time" and the iconic piece "The Lovers," drew international acclaim and challenged societal norms regarding love and vulnerability. Beyond performance art, Ulay produced a significant body of photography and visual art that captures the raw essence of human experience. His investments into contemporary art galleries and insight into future artists maintain his relevance in today’s art world.

Social Network

Though Ulay may not have been active on social media during his lifetime, the posthumous appreciation for his work is evident on various platforms that now celebrate his contributions. Art institutions, galleries, and enthusiasts share and promote his works, ensuring his iconic status in art history. Ulay's works can still be explored through various art platforms and museum exhibitions dedicated to performance art, solidifying his digital presence even after his passing.

Education

Ulay's educational background includes his time at the Academy of Fine Arts in Amsterdam, where he honed his skills and developed his unique perspective on art. His educational journey contributed significantly to his understanding of performance and visual arts, influencing his innovative approach to art which intertwined personal and political themes.


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