Who Is Virginia Admiral? Age, Biography and Wiki
Virginia Admiral was born on February 4, 1915, in the United States and passed away on April 7, 2000. As of 2025, she would have celebrated her 110th birthday. Virginia was a talented painter and a poet, best known for her abstract expressions and contributions to the arts. Her works have been appreciated posthumously, displaying her unique vision and creativity that continue to inspire new generations of artists and poets.
Occupation | Painters |
---|---|
Date of Birth | February 4, 1915 |
Age | 85 Years |
Birth Place | The Dalles, Oregon, U.S. |
Horoscope | Aquarius |
Country | U.S |
Date of death | 27 July, 2000 |
Died Place | New York City, U.S. |
Popularity
Virginia Admiral's Popularity over time
Height, Weight & Measurements
Unfortunately, specific details regarding Virginia Admiral’s height, weight, and body measurements are not commonly documented. However, it is acknowledged that her physical presence was marked by the grace and artistic flair that she embodied throughout her life.
Family, Dating & Relationship Status
Virginia Admiral was married to the noted American painter, Robert Motherwell, from 1943 until their divorce in 1951. The couple had a profound influence on each other’s artistic pursuits, contributing to the Abstract Expressionist movement. After her marriage, Admiral's personal relationships were less documented, focusing instead on her individual achievements in the arts.
Virginia Holton Admiral or Virginia De Niro (February 4, 1915 – July 27, 2000) was an American painter, poet and the mother of actor Robert De Niro. She studied painting under Hans Hofmann in New York, and her work was included in the Peggy Guggenheim collection.
Net Worth and Salary
While precise financial details are difficult to ascertain, Virginia Admiral’s works have garnered significant recognition over the years, and her estate could be valued substantially due to her impactful contributions to art and poetry. Posthumous exhibitions and the sale of her artwork contribute to her net worth, attracting collectors and art enthusiasts alike.
Career, Business and Investments
Virginia Admiral’s career spanned several decades, marked by a dedication to painting and poetry. She was affiliated with the Abstract Expressionist movement, producing works that are celebrated for their emotional depth and innovative techniques. Alongside her art, Admiral’s poetry reflects her experiences and thoughts on life, adding another layer to her artistic identity. Admiral participated in various exhibitions, enhancing her visibility and reputation within the art community.
Social Network
Virginia Admiral's connections in the art world were extensive, given her participation in various movements and relationships with fellow artists. She was involved with numerous artistic circles throughout her life, including the New York School of artists. Even decades after her passing, her legacy is remembered and celebrated, with many artists and poets acknowledging her influence.
Education
Virginia Admiral pursued her passion for the arts, obtaining an education in fine arts that laid the foundation for her future work. Growing up in a creative environment, she developed her skills and established herself as a significant figure in American art. Though the specific institutions she attended are not frequently cited, her training played a crucial role in shaping her artistic direction.
From 1932 to 1935, Admiral was an undergraduate at Coe College in Cedar Rapids, Iowa, where she majored in journalism. Admiral studied at the Art Institute of Chicago under Hans Hofmann. In 1938, she worked on the Federal Art Project, in Oakland, California.
While living in Berkeley, California, she had been part of an off-campus art, socialist, and literary scene. Having traveled together from California to Greenwich Village, New York, Admiral was an intimate friend of poet Robert Duncan throughout the 1940s as well as other artists and writers in the Village scene.
Among them were Anais Nin and Kenneth Patchen. With Duncan, she produced an issue of the magazine Epitaph (later renamed The Experimental Review).